
[Reposted from xiffy]

Lloyd’s building The Lloyd’s Building (also sometimes known as The Inside-Out Building) is the home of the insurance institution Lloyd’s of London, and is located at One Lime Street, in the City of London, England.
It was designed by architect Richard Rogers and built between 1978 and 1986. Bovis was the management contractor for the scheme. Like the Pompidou Centre (designed by Renzo Piano and Rogers), the building was innovative in having its services such as staircases, lifts, electrical power conduits and water pipes on the outside, leaving an uncluttered space inside. The twelve glass lifts were the first of their kind in the UK.
The building consists of three main towers and three service towers around a central, rectangular space. Its focal point is the large Underwriting Room on the ground floor, which houses the famous Lutine Bell. The Underwriting Room (often simply known as ‘the Room’) is overlooked by galleries, forming a 60 metres (197 ft) high atrium lit naturally through a huge barrel-vaulted glass roof. The first four galleries open onto the atrium space, and are connected by escalators through the middle of the structure. The higher floors are glassed-in, and can only be reached via the outside lifts.
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consider this … "Artistic creation is not born ex nihilo from the brains of individuals as a private language; it has always been a social practice. Ideas are not original, they are built upon layers of knowledge accumulated throughout history. Out of these common layers, artists create works that have their unmistakable specificities and innovations. All creative works reassemble ideas, words and images from history and their contemporary context."
"Only after the invention of the creative genius, practices of collaboration, appropriation and transmission were actively forgotten."
"Copyright pits author against author in a war of competition for originality – its effects are not only economic, it also naturalizes a certain process of knowledge production, delegitimates the notion of a common culture, and cripples social relations. Artists are not encouraged to share their thoughts, expressions and works or to contribute to a common pool of creativity. Instead, they jealously guard their “property” from others, who they view as potential competitors, spies and thieves lying in wait to snatch and defile their original ideas. This is a vision of the art world created in capitalism’s own image, whose ultimate aim is to make it possible for corporations to appropriate the alienated products of its intellectual workers."
"The private ownership of ideas over the last two centuries hasn't managed to completely eradicate the memory of a common culture or the recognition that knowledge flourishes when ideas, words, sounds and images are free for everyone to use."
The above from: Copyright, Copyleft & the Creative Anti-Commons
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